Tag Archives: voice

Aussie Author Month – John Marsden

As part of Aussie Author month I’m going to be doing a series of blog posts focusing on some of my favourite Australian authors—authors who have inspired me in my own writing.

For the first post I want to focus on one of my all time favourite authors: John Marsden. I started reading John Marsden as a teenager and he immediately became my favourite teen/YA writer. He also inspired me to really strive for my writing dream; knowing that an Australian could become such a well known author, not just here, but overseas as well, was a big push for me.

Marsden has written a multitude of books over the years, primarily aimed at teens. At one stage I had read every book he’d ever written. In year eight, my English teacher read our class Tomorrow When the War Began (which I’d already read by then)—every student in my class loved it and there was an influx in the library to borrow the next book in the series. Even the boys.

So how is it that Marsden, nearly a decade before the Harry Potter phenomenon, inspired teens, including reluctant male readers, to get reading?


This would have to be the number one factor in the appeal of Marsden’s books to teens. Marsden has a way of writing teenage voice realistically that draws teens into the story. Teens feel like they’re reading about someone their own age—they can relate to the feelings and thoughts of the character, because it’s how they think and feel. In particular, I find his ability to write in the voice of a teenage girl particularly brilliant (how many grown men could channel the voice of a teenage girl so realistically?).

To be honest, which I swore I’d be, we’d all had those delusions at times. They were only daydreams, to liberate our families, to fix everything, to be heroes… In reality the prospect of doing something like that was so horrifying and frightening that it made me ill to think of it.” (Tomorrow When the War Began, pg. 232)

I was giving your ear an erotic experience and you were giggling and pushing me away. The only thing that stopped me going further was all the people around, and Mr. Rossi. Like, he might be a good bloke, but if he finds two of his students having sex in the middle of an excursion he’s not exactly going to give us a pat on the head and an A in Art.” (Dear Miffy, pg. 75)


The characters in Marsden’s books come alive from the first page and make you want to know their story. Part of that is their voice, which I mentioned above, but it is also the layers of depth each character possesses. In books like Letters from the Inside and So Much to Tell You, the stories of the main characters unfold layer by layer. From the beginning the reader knows there is more to this character, some secret, and as the story unfolds we get glimpses of the secret, until we find out the whole story. In other stories, such as the Tomorrow series, we see the main character put in tough situations and continually growing as a character through these situations.

I don’t blame you for being scared of me. I don’t like it but I don’t blame you. I’m scared of myself sometimes.” (Letters from the Inside, pg.96)

…I started trembling and sobbing and hugging myself. I leaned against the wall then slid down until I was on the floor. It seemed like something outside me had taken control. It shook me like I was a washing machine. I knew what it was of course. The image of Shannon, lying there naked and tied up, her blood, the death that I saw in her eyes: Where was I supposed to put that?” (While I Live, pg.266)


Part of what makes Marsden’s descriptions so effective is the way they’re written from the character’s perspective. His descriptions give the reader a clear picture, while showing the reader how the character views his/her world. He very rarely alludes to the characters’ physical descriptions, unless it’s relevant.

…Lisa came in, went to her bed and lay on it face down. And after a few moments she began crying! I could hear her. And I could see her shoulders shuddering. Lisa, the strong one, who never cries! It got worse: her crying became louder, uncontrolled, sobbing. From deep, deep down… I fluttered around the dorm wanting to help her.” (So Much to Tell You, pg.39)

… we ran the way rabbits do when they get a sniff of the warren and think they can just make it. We put our ears back, kept close to the ground and went for it… The fence loomed up at me. I dived to go under it. Still like a rabbit. Beside me Fi did the same. As we went down, the first shot wailed above our heads.” (Darkness, Be My Friend, pg. 234)

If you (or your kids) have yet to pick up a book by John Marsden, I highly recommend picking one up.

If you have (or write for) preteen boys, try Staying Alive in Year 5. For teen girls, try So Much to Tell You. For teen boys, try Dear Miffy. And everybody should read Tomorrow When the War Began at least once in their lifetime, it’s a Aussie literature must-read.

A side note in regards to Aussie Author Month:

One of the aims of Aussie Author month is to raise awareness and funds for the Indigenous Literacy Project – a project that aims to raise Literacy levels amongst Inigenous Australians living in rural and remote communities. You can learn more here: http://www.indigenousliteracyproject.org.au/ and you can donate to the project as part of Aussie Author month here: http://www.gofundraise.com.au/page/ausbooks

How ‘Sisters Red’ Can Make You A Better Writer

Since I began to really start focusing on my writing seriously (reading writing blogs, writing websites and books on the craft) it has affected the way I read. Now when I read, I sometimes find it hard to really immerse myself in a book because I can’t always switch my writer’s brain off. I pick up spelling and grammatical errors and I think to myself  ‘that’s so cliche’ or ‘this passage is full of purple prose’. So when I find a book that draws me in so deep and is so well written my writer’s voice is nowhere to be found, I know I’ve found a really fantastic book. It makes me wonder, what has this writer done differently to make me fall in love with these characters and keep turning pages well after I should be in bed because I can’t put it down? Because I want to be able to do that in my writing!

I don’t usually do book reviews on here, but this past week I finished two books I found so addictive to read I couldn’t put them down. One was The Princess Diaries by Meg Cabot, which I have been meaning to read for ages (ever since the movie came out). I loved it because the voice in that book was so authentic and real. But, the book I want to explore today is Sisters Red by Jackson Pearce.

Sisters Red by Jackson Pearce

Great Hook

I’m a sucker for fairytale retellings, and in particular Red Riding Hood retellings, which is what drew me to this book in the first place. The concept immediately interested me: The Red Riding Hood characters (in this case two sisters) are attacked by a werewolf when young and grow up into werewolf hunters, aided by their best friend, a woodsman. Talk about a great twist on the old fairytale!


Many agents and those in the literary world warn against writing in first person present tense because it is so hard to pull off effectively and naturally. Jackson Pearce managed to not only pull off writing Sisters Red in first person present tense seamlessly, she also did it while switching POV between the two main characters of the story (the two sisters). One of the reasons present tense worked so well for this story: there was a lot of action and the present tense allowed me to feel as though I was a part of the action as it was happening.


The two sisters were so well developed, each with their own individual voice, that even without the header indicating which sister’s POV it was at the start of each chapter, I still would have known which sister was speaking. Both had strong, distinct voices. I was immediately pulled into their story.


Talk about nail-biting. Particularly towards the end I couldn’t stop turning the pages because I was so afraid of what was going to happen to the main characters. Pearce kept putting them in tougher and tougher situations and I knew one of them couldn’t possibly come out of it alive, I just didn’t know which one, if any!


The relationships between the sisters and between each individual sister and the woodsman are all unique and continually develop over the course of the novel, while always intertwining and affecting each other. Yet no relationship is more important than another. These relationships are always at the centre of the story and drive the plot.

Other Reasons it was Great Writing

There was never a lot of description of the main characters, except when describing Scarlett’s scars, yet even then the description was never detailed, it was wound into the story. She focused more on the characters’ emotions, reactions and motivations.

I also loved that Pearce researched the little details to make them more authentic.

Jackson Pearce’s follow up novel Sweetly (a fairytale retelling of Hansel and Gretel where a brother and sister become witch hunters) is out later this year. I’ll be looking out for it. This for me defines a great writer – I loved her book so much that I can’t wait for her next one to hit the shelves.

If you are a writer, particularly if you are interested in writing YA, paranormal, action or fairytale retellings, this book is worth picking up and reading.