Tag Archives: Mem Fox

How Writing Poetry Can Help You Be a Better Writer (Guest Post)

As well as being Aussie Author Month this month, it is also National Poetry Month. Today I have a guest post from poet and children’s writer Rena Traxel on how writing poetry can help you be a better writer. She has some great tips, particularly for picture book writers.

Writing Poetry Can Help You Be a Better Writer

When you were in school you most likely studied poetry.  When you grew up some of you left poetry writing behind.  In celebration of National Poetry Month, I created a poetry challenge, in which I’ve pushed the participants to try a new poetic form each day, except for Sundays, in the month of April.  I’ve had them write both silly and serious poems.  What is the purpose of the challenge? To help the participants grow as writers. I’m here today to discuss how poetry writing can help you.

  • To grow as a writer you must challenge yourself.  Writing poetry is different from writing prose and therefore will force you to stretch your mind. If you already write poetry try out a poetic form you have never used before (this can be as simple as including a simile in your poem).
  • Is your story not flowing? Turn to poetry. Poets pay attention to stresses and syllables that is why poems tend to flow.  Dr. Seuss wrote many of his books using trisyllabic meter (putting stress on every third syllable). Dr. Seuss’ books move seamlessly from page to page. His books are easy to remember and kids love his books.
  • Poetry can help you get in touch with your inner child.  Literary critic and theorist Northrop Frye said, “the speech of a child is full of chanting and singing and it is clear that the child understands what many adults do not, that verse is more direct and primitive way of conventionalizing speech then prose is.” There is a reason why children love Dr. Suess and Mother Goose.
  • Are you too wordy? Poems show an entire story in very few words. Poets practice the art of compression by paying attention to every single word to make sure it is absolutely necessary. Even the title contributes to the story.
  • Poets pay attention to line breaks. They use line breaks to slow down or speed up a poem. If you write picture books it’s essential to know where to break up a story so that it flows from page to page.  Even if you write novels it’s important to know where to cut a chapter.
  • Practice showing versus telling. Because poems tend to be short they rely on images to tell a story.
  • Poetry can help you express yourself. You might be surprised to learn that poetry is closer to how we speak then prose.
  • Poetry is meant to read out loud and is why poets spend a considerable amount of time thinking about word choice. If you write picture books then you know your stories will have to be read out loud.  Even if you write novels you will have to read sections out loud at a reading.  Get comfortable with hearing your words by writing poetry.
  • Poetry is fun. Poems are not bound by the same rules as prose.  You can play around with form and punctuation as along as your choices are consistent.

Every time you sit down to write you are practicing your craft.  How do you expect to get better if you don’t push yourself? Step out of your comfort zone and give poetry a try. You will be amazed at the new skills you will learn.

Rena J. Traxel writes stories and poems for kids. She is currently working on a fantasy series for tweens. To learn more about her check out her website at www.renajtraxel.com or head over to blog “On the Way to Somewhere” at www.renajtraxelblog.com and enjoy some of her poems and stories.

A note from Jo:

Looking for some rhyming picture book inspiration during Aussie Author Month? I always refer to the two masters of rhyming picture books, Australian authors Graeme Base (Enigma, The Eleventh Hour, The Worst Band in the Universe) and Mem Fox (The Ballad of Skip and Nell, Time for Bed, Where is the Green Sheep?). For poetry, check out some of the works of Banjo Patterson (my favourite is Mulga Bill’s Bicycle).

Aussie Author Month – Mem Fox

In Australia we are spoiled for fabulous picture book authors (and illustrators). From the clever prose and gorgeous illustrations of Graeme Base (Animalia; The Waterhole) for older picture book readers to the endearing storylines of Margaret Wild (There’s a Sea in My Bedroom; Kiss, Kiss!) for younger picture book readers. From Australian picture book classics which Australian children have been reading for generations, such as May Gibbs’ Snugglepot and Cuddle Pie, to newer picture books, such as Kathryn Apel’s This is the Mud. A favourite picture book author of mine, and of my children, too, is Mem Fox. We have many of her books on our bookshelf and they are much requested at bedtime. So what is it about Mem Fox’s books that makes both parents, teachers and children alike keep reading them over and over again?

Rhyme

Many of Mem Fox’s books are written in rhyme. As a writer who loves to write picture books, I know just how hard rhyme is to pull off effectively. It’s not just about finding the right words to rhyme, it’s also about rhythm and flow. Mem Fox’s rhymes always flow naturally and beautifully, giving her stories a lovely lyrical quality.

It’s time for bed, little fish, little fish,

So hold your breath and make a wish.” (Time for Bed)

Here is the near sheep. Here is the far sheep.

Here is the moon sheep. And here is the star sheep.” (Where is the Green Sheep?)

Australiana

Mem Fox’s use of Australian animals as characters—characters who personify the Aussie spirit— tied in with other pieces of Australiana (food, places, slang terms), make her books feel like home to Australian readers, who can relate to familiar images and language evoked by Fox. International readers are introduced to peculiar creatures and new experiences from the land ‘Down Under’.

Later, on a beach in Perth, they ate a piece of pavlova.

Hush’s legs appeared. So did her body.

‘You look wonderful, you precious possum!’ said Grandma Poss. “Next stop—Tasmania.’

And over the sea they went.” (Possum Magic)

One night, beside a low camp fire,

They heard the men talk loud

about a boatrace way out west

That’d make all Aussies proud.

One said he’d give his two eye teeth

To be there at the race.

‘My oath, too right!’ the other said,

With longing on his face.” (Sail Away: The Ballad of Skip and Nell)

Repetitive Language

Young children love books with repetitive language and, when reading aloud, children will often join in because they can pick up on the repetitiveness. They can predict what will be said on the next page. My preschooler son will sit down with a Mem Fox book and read the book to himself from memory because the repetitiveness of the text, combined with the pictures, means he can easily remember the story and the words. This is a great precursor to learning to read. Mem Fox’s books are perfect for this pre-reading stage.

“‘Good grief!’ said the goose.

‘Well, well!’ said the pig.

‘Who cares?’ said the sheep.

‘So what?’ said the horse.

‘What next?’ said the cow.” (Hattie and the Fox)

And her sister said,

‘I’ll get you a sweater when the weather gets wetter,

to go with the blouse with the ribbons and bows,

to go with the skirt that won’t show the dirt,

to go with the socks from the local shops,

to go with the shoes from grandpa.’” (Shoes from Grandpa)

Page-turning Storyline

Mem Fox’s stories are written in such a way that the reader just has to turn the page to find out what happens next. The stories often build to the climax. Where is that green sheep? What can Poss eat to make her visible? Will Skip and Nell make the race in time?

If you’re a writer of picture books, check out this very interesting article on Mem Fox’s site about her process for writing Where is the Green Sheep? http://www.memfox.com/green-sheep-secrets.html There are some fantastic gems of advice in there, including this:

” After twenty one years of writing for children, I’ve come to appreciate that the books young children like best fall broadly into two categories: either short books with a pattern, based on rhyme, rhythm or repetition; or short books with a really good story. They don’t like nostalgia books. They don’t like first person books. And they don’t like long books. Stories, or patterns: that’s it.”

For a great overview of Australia’s most popular children’s book authors, have a look at this article: http://www.cultureandrecreation.gov.au/articles/childrensbooks/

A side note in regards to Aussie Author Month:

One of the aims of Aussie Author month is to raise awareness and funds for the Indigenous Literacy Project – a project that aims to raise Literacy levels amongst Inigenous Australians living in rural and remote communities. You can learn more here: http://www.indigenousliteracyproject.org.au/ and you can donate to the project as part of Aussie Author month here: http://www.gofundraise.com.au/page/ausbooks

And don’t forget to check out all the other exciting things happening for Aussie Author Month.