Why Twitter is a Great Resource for Writers

First an introduction to how I started using Twitter:

When I first started this blog I mentioned that I had been reading about the importance of creating an author platform. One of the tips I came across was to start a Twitter account. I had never ventured into the world of Twitter before, but of course I knew what it was. I started out somewhat hesitantly. I started following a couple of friends who also had accounts and searched for some of my favourite celebrities to follow. Then came the question of what to tweet about? At first my tweets were random and personal, such as, “I’m reorganising my bookcase, I didn’t realise it was such a big job until I started.” However, the purpose of creating the account was to build my author platform so tweeting about rearranging my bookcase wasn’t really helping me to do this.

How I started making Twitter work for me:

Recently I discovered how I can really make Twitter work for me as a writer and I want to share what I have been learning so that you can make Twitter work for you too.

1. Tweet about writing. I started tweeting about my writing more than my personal life, after all that was why I created the account in the first place. How was I supposed to attract followers from the writing field if I was tweeting about random things that have nothing to do with writing? Once my tweets became more writing focused I noticed I started getting more followers from the writing field.

2. Use the #wip hashtag. I discovered a great little hashtag #wip, which writers can use to post either their progress on their wips (work in progress) or post little snippets of their novel. I’ve started posting tweets using #wip with little snippets of the novel I am working on and I am hoping it generates some interest for my novel. It also forces me to look at my novel more critically, because when I am looking for the ‘perfect’ line to post on Twitter I am forced to determine how effective that line really is. I ask myself “Is that line grammatically sound?”, “Does it sound good as a stand-alone sentence?” and “Would it sound intriguing to those reading it on Twitter?” if I answer ‘no’ to any of those questions, not only do I not post that line on Twitter, but I also ask myself, “If I’m reluctant to post it publicly, then why would I want to have it published as it is?” and “How could it be written better to overcome its flaws?”. In the end it is helping me write a better novel.

3. Literary agents on Twitter. There are a lot of literary agents on Twitter and by seeking them out you will find a multitude of invaluable information relating to querying, agents, writing tips and getting published. I am now following several literary agents whose tweets I find both helpful and insightful to me as a writer. Some agents tweet tips, some tweet about their thoughts as they trudge through the slushpile (usually quite insightful as a warning on what not to do when querying agents) and some offer links to other valuable writing resources. If you go to their profile pages, there is usually always a link to their blogs, which are invaluable sources of information as well. (I will link to some agents’ twitter pages at the end of this blog post.)

4. Some more useful hashtags. The following are just a few of the useful hashtags I’ve come across on Twitter, just type them into the search and you will find some really helpful info (especially from agents): #query #queries #queryhelp #askagent #agentpeeves #writing #writetip #pubtip

5. Link to your blog. This was one thing I actually did right from the start, everytime I update this blog I link to it on Twitter. I also have a link to my blog on my Twitter profile.

Using Twitter to my advantage has opened up a whole new world to me as a writer and I would recommend it to any aspiring authors out there. Twitter is helping me by:

1. Strengthening my author platform.

2. Promoting my novel and me as an author.

3. Connecting me to other people in the writing world (agents, publishers and fellow writers).

4. Connecting me to invaluable advice and insight into the writing world.

5. Helping me to look at my writing more critically.

To finish up I want to link to a few Twitter pages of a few people I am following because I find their tweets to be particularly helpful:

@RachelleGardner @MandyHubbard @thatwemightfly @WeronikaJanczuk @Kid_Lit

Speaking of Rachelle Gardner, her blog is well worth checking out: http://cba-ramblings.blogspot.com/ She is a literary agent and offers some great blog posts regarding writing. (Isn’t Twitter great? Without it I would never have found Rachelle’s blog.)

And if you would like to follow me on Twitter here is a link to my Twitter page: @gracefuldoe

EDIT:

I just found another article about Twitter being a great tool for writers, it has a couple of similar points to the ones I have made, but it also offers a few new points too: Six Ways Twitter Can Make You A Better Writer

Researching the Publishing Industry

I’ve been doing a lot of research into getting my manuscript published and how to go about doing it properly to increase the likelihood of it being picked up.

I’ve only ever sent one manuscript to a publishers before and I realise now I did just about everything wrong (which is ok, because I think my writing has improved a lot since then anyway).

Mistakes I made with the other novel:

– I sent it directly to a publisher, rather than through an agent (although I have recently found out that in Australia this isn’t such a big deal as publishers are much more lenient on unsolicited manuscripts since we don’t have a lot of agents here).
– I had no idea what a query letter was or how to write one effectively, so they probably took one look at my cover letter and thought ‘amateur’.
– I’m pretty sure I didn’t include a synopsis, and if I did I doubt it was very effective. I don’t think I was very good at being able to ‘sell’ my story.
-I only sent it to one publisher and after it got rejected I gave up and didn’t send it to anyone else.

This time around I’ve really done my research and I’m prepared to do everything ‘right’ so that my novel at least has a chance of being published. This is what I have been doing, and what I intend to do this time around:

– I’ve been researching how to write an effective query letter, what agents/publishers are looking for in a query letter and what you should avoid including.
– I’ve been scouting the internet for agents in Australia that are currently taking manuscripts in the genre of fantasy. I’ve started making a comprehensive list of agents to try sending a query letter to when my manuscript is ready. Plus I also intend to compile a list of possible publishers in case I can’t get any agents to pick it up. I’m not going to give up on the first rejection this time!
– I’ve also been researching how to effectively pitch my story and write a synopsis.

I’m hoping this time around I will have more success. I will be sharing some of my research in future blogs.

Some useful writing websites

Over the past few weeks I’ve come a cross a few really helpful writing websites/blogs that contain some fantastic advice on writing, querying and getting published so I wanted to share a couple of my favourites.

The first one was linked to me by a friend and fellow writer and I spent nearly two whole days reading through every post on the blog because I found all the information so valuable to me as writer (plus I may have just been procrastinating a little on tackling all the problems in chapter six of my novel, which I am happy to say have mostly all been ironed out now). This blog is written by an agent named Mary Kole (who is also a published author)and offers some great tips on various aspects of writing, as well as some great insight into agents’ thought processes. It also occasionally runs contests. I have it bookmarked and I highly recommend it to any aspiring author. It can be found here:

http://kidlit.com/

I can’t remember how I found this second site, but I believed it was linked to from another site I was perusing. Like the first blog I mentioned, I found this blog to be insightful and full of great writing advice. This blog is written by a published author named Barry Lyga and he covers a lot of different areas of writing. His advice isn’t only very helpful for those wishing to develop their craft, but he also writes his blog in a very down-to-earth manner. This is another site I have bookmarked. It can be found here:

http://barrylyga.com/new/blog-writing-advice.html

Here are a few other sites I have bookmarked in the past because It hought they were helpful to my writing journey:

http://maxbarry.com/writing/help.html (His tagline is ‘help for writers’. They specifically offer advice on querying agents and approaching publishers)

http://www.fictioncentral.net/hpforum/index.php?act=idx (Although this is a fanfiction forum devoted to Harry Potter, don’t let that dissuade you from checking out their writer’s resources section which is a treasure trove of great writing advice and tips, especially regarding the technicalities of writing. You will need to become a member to view the writer’s resources section, but it’s free to join up)

I hope you find these sites as useful and insightful as I have found them to be.

First draft written! Now onto the editing.

Last week I felt a great deal of pride and accomplishment as I typed the final words of the first draft of my novel.  It felt so good to know that I had just written over 50,000 words/20 chapters and got all of the plot that had been floating around in my head all typed up. But of course I am by no means finished my novel, and as much as I felt relief at finally get my entire story written down, I also knew I still had a big task ahead of me: editing.

The prospect of editing this novel is a bit scary, to be honest, since I wrote most of it without looking back, so I’m prepared for lot of typos and sentences that make no sense. In the past I have taken the approach of editing a lot as I write, constantly going back, revising and correcting. I decided to take a different approach this time around, mostly inspired by the NaNoWriMo process. So I wrote this novel without looking back, I let my muse take over and just typed, without worrying about typos and other writing disasters. Now I cringe to think what terrible descriptions, spelling mistakes and illegible sentences I will find as I proofread the finished product. Despite this, I actually think it is a good thing in a way because I will be proofreading with fresh eyes. Since I haven’t looked back since I started writing the novel it will be the first time I have read what I have written and hopefully this will mean I will more easily pick up on parts that need to be fixed.

I have a bit of a system for editing my novel, which is something else I am trying for the first time and so far I think it is proving to be helpful and efficient.

1. First I listen to the chapter on ywriter (since it has an option for the scenes to be read aloud). The voice lacks intonation and pronounces some words wrong, but it’s good being able to listen to the words read out and is helping me pick up on any typos (for instance, if I’ve written ‘form’ instead of ‘from’) or sentences where I’ve repeated myself. Sometimes when reading your mind doesn’t pick up on these errors, and even when reading aloud to yourself your mind reads as you think it should read, rather than what is written, so you miss those little errors.

2. As I listen to ywriter I fix up those errors as I go, but I also make notes on areas that need more description, more detail or need to be reworded.

3. After listening to ywriter, I go back and read the chapter in my head, making more notes. I’m using a colour-coding system: yellow highlighter for parts that need to be reworded; green highlighter for parts that need more description; purple highlighter for parts that need more detail (this is different to description – it means I need to add more content to the scene); and blue highlighter  for parts where I believe I am telling more than showing. I also write any extra notes in red, such as ‘check if this part is consistent with the letter from the first chapter’.

4. I then go back and fix up all the parts I highlighted, adding more description/detail or rewording where necessary.

5. Finally, when I believe I fixed everything in the chapter, I read it aloud to make sure I haven’t overlooked anything and it sounds alright when read with proper intonation. Then it’s onto the next chapter.
With my shorter stories I usually like to print out the story so I can read the words on paper and scribble notes with pencil in the margins, but considering the length of this story, I decided to skip this step (too much paper and ink!).

I really want this novel to be perfect because I have every intention on sending it off to publishers. I’m in the process of proofreading and editing chapter four at the moment (I’m up to step four and procrastinating because there is a lot that needs fixing in this particular chapter). Once I finish proofreading and editing through the entire novel I am hoping to get a couple of beta readers to read through the entire novel. The role of a beta reader is to read through and pick up any spelling or grammatical errors/plot inconsistencies/character flaws/etc. Basically it means having a fresh pair of eyes looking over the story and giving a different perspective.

I’m really very excited about this novel 🙂

Show, Don’t Tell

One of the most important aspects of ‘good’ writing is the author’s ability to show rather than simply tell when writing. What does that mean? It means instead of simply telling the reader what is happening, you need to show them and make them feel as though they are a part of the story. When setting a scene or describing something try not to tell the reader what something ‘is’, instead allow the reader to experience the scene through the use of the five senses. What can you see? What can you hear? How does it feel? How does it smell? How does it taste? By incorporating the five senses when describing something, the reader can become immersed in the scene or story. The reader can put him or herself in the character’s position and relate to what is happening.

In class I sometimes do a writing activity with my students that I picked up from another teacher when I was doing my teaching rounds at university. The activity is called ‘Show, don’t tell’. I write a simple sentence on the board, for example: “It was a hot day.” The students must then rewrite this sentence using the ‘show, don’t tell’ technique and incorporate all five sense to create a more descriptive and engaging version of the sentence on the board. So if I take that simple sentence, “It was a hot day” and use ‘show, don’t tell’, I might end up with something like this:

“I squinted as I stepped out into the blazing sun, its yellow glare almost blinding me. The air carried the scent of burnt eucalyptus leaves. The crickets chirping, hidden from sight, were loud and clear: the quintessential sound of Summer. I had barely been outside for a few minutes, but already I could feel my skin beginning to burn under the sun’s intense gaze. Beads of sweat trickled down my face and onto my lips, filling my mouth with their salty taste…”

You probably wouldn’t go that over the top in your descriptions normally, but you can see how a simple sentence that merely ‘tells’ us that it is a hot day, can be transformed into a much more descriptive piece that shows the reader that the day is hot. You will notice that not once in this description do I use the word ‘hot’, but the reader does not need to be told that it is hot, they can infer this for themselves through the descriptions used.

I know that when I am writing, I can sometimes forget to show and I only tell what is happening, but when I go back to edit I pick out those offending sentences and rework them to ensure they are showing what is happening and not just telling.

I’ve just added a short piece to my short story collection titled ‘Once Like Them’, I think it somewhat exemplifies the way in which the concept of ‘show, don’t tell’ can be incorporated into writing.

I would encourage anyone who wishes to improve their descriptive writing to have a go at the ‘show, don’t tell’ exercise. Just think of a simple sentence, then rewrite it using all five senses.

25,000 words in one month

NaNoWriMo is officially over. Most NaNoers were aiming to write over 50,000 words in the month of November, but I always knew that goal would be little lofty for me due to work and being a mum to two young children. However I am extremely pleased with what I did achieve during NaNoWriMo as 25,000 words in one month is still quite an effort and has launched me over the halfway mark of my novel (considering I had already written a few chapters before NaNo officialy started). But even more than getting so much written in such a short space of time, NaNo has given me renewed motivation and momentum on my novel, and that is the real reward for me at the end of this endeavor.

It has been a new experience for me to push myself to churn out so many words in short spurts. Two methods I used during NaNo were Write or Die and Rat Races. Write or Die is a program where you set a time or word goal and then get ‘punished’ if you stop writing before reaching that goal. I chose the mediocre punishment of having a loud noise sound if I stopped writing for more than a few seconds. This was a real motivator for me because usually I was writing while my baby was napping, so I did not want that noise to sound and wake her up! However it was not as harsh as the punishment of having your work start erasing itself. Rat Races were writing races I participated in with other NaNoers on a writing forum. Basically someone would set a start and finish time and anyone who joined in had to write as much as they could in that time bracket to see who could write the most. The good thing about these methods is that I was able to achieve a lot of writing that I may have otherwise procrastinated over. However, I guess the down side of these methods is that you end up just writing without thinking and as a result could write absolute rubbish. I’ve yet to go and read over what I’ve written during NaNo, and I’m a little scared of how much editing I may have to do!

I have learnt a few things as a result of NaNo, though, which I think will help me with my future writing. First of all I have shown myself that if I use my spare time effectively I can get a lot written. I have also found that the best cure for writer’s block is to just write, even if the end result needs to get cut in the editing process, at least it has helped the plot to progress and allowed me as the writer to regain momentum again. And finally, even if I only write 50 words a day, it still all adds up in the end and it is worth just writing something everyday as it helps keep the story alive in my mind.

Creating visual imagery

I’ve been working hard on my novel this past month as part of NaNoWriMo and making great progress. I am at a stage in my novel where my characters are about to enter a labyrinth so I spent most of yesterday sketching a labyrinth on a piece of paper to help me better visualise how my characters will proceed through the labyrinth in my story. I’ve found many times in the past when writing stories I like to sketch elements of my story to help me get a good visual image in solid form. In the past I’ve sketched the layout of the houses in a street, creatures appearing in a story and characters. I nearly always sketch characters for my story, I find it helps inspire me when describing them, because sketching them first allows me to consider all aspects of their physical appearance. As for things like street layouts and labyrinths, I’ve found it helps me keep all the details consistent when I am writing a story.

I don’t know if any other writers out there are inclined to do the same thing, or something similar, but it is just a little something I do to really immerse myself in the story I am writing. I remember when I was younger and I wrote stories I would actually dress my Barbie dolls up as my characters so I could give my characters physical form. I’ve also used the Sims video game to give physical form to my characters too.

In regards to using visual imagery in my current novel, ywriter (the program I’ve been using to set out my story) has a great little feature that allows you to include images in your character bios, location descriptions and even with your scenes. This feature really appealed to me and I have been using it to its full extent. I’ve had a lot of fun googling images I think suit the various locations/characters/scenes in my novel so I can put them into ywriter.

I guess I should stop procrastinating now and get back to my novel… back into the labyrinth I go 😉

NaNoWriMo and other updates

It’s been a little while since my last blog entry, so here is an update on what I’ve been doing of late:

– I’m still working on my novel, though I’ve slowed down somewhat after hitting a slight roadblock, which I’ve just about worked out now.

– I’ve been doing a lot of character development and relooking at my overall plot to give myself new perspective and motivation.

– I downloaded a great free program called ywriter which has been designed by an author for authors. The program allows you to input all your novel’s information including character information, location information, you can write your novel in scenes, swap scenes and chapters around, keep notes and (my favourite part) it even reads your writing aloud to you! I’ve only just started using it, but I already love it and I know it is going to be a fantastic resource while working on my novel.

– I’ve been inspired by an event called NaNoWriMo (National Novel Writing Month) in which participants attempt to write 50000 words in a month. I’m not joining officially as I don’t believe I will be able to churn out 50000 words during November, but I am inspired to at least attempt to get some serious writing on my novel during November using NaNoWriMo as my motivation. The idea is to just write, without worrying about editing, whenever you have spare time. Then once November is over you can go back and edit and turn that writing into something legible.

– While procrastinating on my novel, I’ve been writing a novella on the side. It’s a horror story set within a high school. Originally I wrote this plot idea about 11 years ago as a script and made it into a short film for an English project. I’ve unearthed the plot and am now attempting to turn it a more substantial story.

So that’s what I’ve been doing lately. I’ll keep my blog updated during November and let you know how my novel is progressing during the madness of NaNoWriMo.

Foreshadowing

I am currently reading Dan Brown’s latest novel, The Lost Symbol, and this book, along with a recent review I received for one of my online stories, made me really think about the significance of foreshadowing in great novels (particularly of the mystery genre). I’ve always admired writers who can seamlessly include foreshadowing in their stories so that the reader doesn’t even realise the significance until the end when all is revealed. I think I’ve read too many of Dan Brown’s earlier works though and I was looking out for ‘foreshadowings’ from the very first page. I have my predictions on how the novel will end, but I’m still hoping I will be surprised and that I have read the signs all wrong.

That’s the great thing about foreshadowing, when used well the reader won’t even realise the significance and the ending comes as a complete surprise, but then on second reading the reader can pick out those little foreshadowings and realise the answer was there the entire time. J.K. Rowling is another author who I think used this device well in her Harry Potter series of books. A simple example of this is in Harry Potter and the Chamber of Secrets when Harry and the Weasleys have a run in with Lucius Malfoy at the beginning of the book, which turns out to be quite significant in regards to the ending. Not only does she use this device within each individual book, she also uses it extremely well in regards to the series overall. Who would have thought that the diary in Harry Potter and the Chamber of Secrets would resurface four books later and contribute to an even more significant part of the plot of the series?

Another device, which tends to go hand-in-hand with foreshadowing, is the infamous red herring. Dan Brown and J.K. Rowling also tend to use these in their writing. A well placed red herring will throw a reader off the scent of the real villain/solution, thus creating that surprise ending that the reader never saw coming.

I saw a spoof of the Harry Potter series recently, which blatantly played on J.K. Rowling’s use of foreshadowing in the series. The Snape character was questioning students on what a Horcrux was (which Hermione answered, of course) and then Snape followed up this question by asking what foreshadowing meant (again answered accurately by Hermione). It was really this little scene that got me thinking about J.K. Rowling’s use of foreshadowing in Harry Potter, and also how other authors are able to use it effectively. As a result of my reflections on foreshadowing I decided to write a short piece incorporating this device to test my writing skills. I posted my piece on an online writing site and was pleased to note that my reviewers were all quite surprised at the end of the piece and had never suspected the subtly placed *item* at the beginning of the piece.

I will be adding a new section to my blog today for short stories and I will be including this piece for you to judge for yourselves (as well as the review that really got me thinking). Of course, having been forewarned will most likely have you searching for the foreshadowing in much the same way I have been dissecting The Lost Symbol for foreshadowings as I read it. Perhaps I will still surprise you.

Edit: You can now check out my page on ‘Short Stories’, including a sub-page with my short story An Ordinary Day.

A Strong Beginning

Today I was discussing beginnings on a writers’ forum and I mentioned that I believed the basis of a strong beginning to any story is the ‘hook’. A strong beginning draws your readers into the story and makes them want to continue reading. How the beginning is structured depends a lot on what sort of story you are writing and the genre of the story. Some stories are effective when they start at the end and then go back to the beginning to explain how the characters got to that point. This can be effective as the reader wants to know how the characters ended up there. Some beginnings launch straight into the action so that the reader is thrown right into the middle of the story right from the first few words. Some authors (myself included) use a descriptive passage to start their stories to set the scene or to introduce their main character.

However it is written, the most important part is finding that hook. How are you going to get the readers to want to keep reading? Here are a few of my beginnings where I have tried to hook the reader and the various methods I used:

Starting at the end

I would never have believed when I woke up yesterday morning that I would be dead only twenty-four hours later.



Setting up the characters and story

Lleyton waited in his bedroom.

“She’ll be here any second,” he thought to himself.

Lleyton ran his hand through his sleek blonde hair and turned his eyes towards the closed door, willing it to open. He started to become anxious; worried that she would not come at all.

Introducing the main character

The door creaked open slowly. A man with an unkept appearance and a gnarled face entered the room, his back hunched over as he pushed a bucket and mop in front of him. He sloshed the mop about in the soapy water and proceeded to wet the floor in an even sweeping motion.

Reflection (of thought)

Peter studied his reflection in the tall, ebony framed mirror. He straightened his black bow tie and smoothed his plain black dinner jacket. He attempted to flatten his dark hair where it stubbornly stood up at the back, but it simply refused to lie flat.

As Peter studied his image reflected in the mirrored glass, he couldn’t help but remember how often he had been compared to his father, Vincent. Peter was the spitting image of his father, everyone had always said so. Peter sighed regretfully. He would give anything for his father to be with him right now, to have him by his side as he celebrated his special day.

Setting the time period

It had been seven months since the war ended. The few Black Spider Militants that were still roaming free had gone underground. We had honoured the dead and spent months rebuilding our homes and the surrounding areas, which had been destroyed as a result of Manello’s reign of terror and the fighting that had taken place.

Setting the scene

The dining room denoted wealth. Heavy velvet drapes were drawn over tall narrow windows. Silver and gold plates and goblets adorned antique cabinets. A maid busied herself stoking the large open fire in the corner before disappearing silently out of sight, as though she had never been there. Three young women sat erect at the mahogany dining table, the chandelier that hung from the ceiling casting a dull light upon them.

Creating an atmosphere

A cruel wind whipped violently against the stone walls of the castle. The grey sky carried a sense of foreboding. A lone figure fought against the elements to gain entry through the wooden front doors of Pickerton House.
Straight into the action

Take that!
Penny Wentworth felt the pain consume her entire body. Her shrill scream echoed around the stone dungeon.
Caroline Fey released the lever and looked down upon the defeated form of Penny with a contemptuous sneer.
“Well girly, you’re not so cocky now are you?” she taunted.


A writing blog

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